The continuing impact of Jack London
Wolf: the lives of Jack London
By James L Hayley, Basic Books, 2010, £17-99
Reviewed by
Peter Taaffe
THE ‘POPULARITY’ of Jack London has ebbed and flowed
with the fortunes of US capitalism and the reaction of the working class
to this. This is underlined in the last paragraph of this new ‘literary’
biography by James L Hayley. He writes: "During the national hysteria of
the ‘Red Scare’ in the 1920s, regard for him fell again in the glare of
shallow patriotism. Under J Edgar Hoover the FBI compiled a posthumous
dossier on his supposed anti-American sympathies, and during the
McCarthy era of the 1950s he came into disfavour once more".
But it was "the unsinkable, compelling nature of the
stories, underpinned still by The Call of the Wild, White Fang, and The
Sea-Wolf, that prevented his assignation to literary ignominy. It has
been left to our own generation, incensed by financial outrages on the
part of corporate tycoons that devastated the middle class and led to
the economic collapse of late 2008, to realise that London in his
clarion calls for social justice was articulating abiding truths that
our country seems doomed to have to learn over and over and over and
over".
Yet Hayley is not consistent in this book, to say
the least, in his admiration of London’s radicalism and particularly his
advocacy of socialism. Here is one of the greatest socialist story
tellers/novelists who ever lived. This reviewer considers he was the
greatest. But Hayley writes about his "angry socialism", on one occasion
using this term twice on the same page. London, as we do today, had a
lot to be angry about, as he showed in his monumental People of the
Abyss. This revealed the ocean of misery below the surface of the
‘glittering’ city of London. The thousands begging for thrown-away
sandwiches in the same city today indicates that little has changed in
‘modern’ capitalism.
This book, it is claimed, is more ‘literary’ than
previous ‘lite’ treatments of London’s life. But Alex Kershaw’s book,
Jack London, A Life, produced ten years ago, as well as Irving Stone’s
biography, were very worthy attempts at bringing to life this remarkable
writer and revolutionary.
From the very first day that Jack London set pen to
paper, bloodless academics never hesitated to subject his writings to
one-sided empty ‘literary’ criticism. This is particularly true about
his greatest novel, The Iron Heel. Hayley mentions this pulsating read
almost in passing and obviously does not consider it is among one of the
formidable achievements of Jack London. It has some inadequacies from a
literary point of view, but this is far outweighed by London’s
remarkable dissection of the direction in which capitalist society was
heading. As Trotsky pointed out in the 1930s, London had foreseen the
rise of fascism, its ideology and methods in 1908! This was at the time
when great Marxist theoreticians such as Lenin, Trotsky himself and Rosa
Luxembourg had not even begun to draw London’s conclusions of where
capitalism was heading.
On its publication, the great American socialists
Eugene Debs, Bill Haywood and others applauded its central message.
However, the middle-class leaders of the US Socialist Party were "as
scathing as the literary critics" of the time and today. Unfortunately,
Hayley, while not as dismissive as London’s critics then, nevertheless
only deals with The Iron Heel in passing, while laying great emphasis on
London’s other works.
There is still, however, some important new material
in this book which sheds further light on his life. For instance,
London’s reporting of the war between Japan and Russia in 1905 is
interesting in the light it casts on the harsh treatment he received at
the hands of the Japanese military, who threatened to execute him for
striking one of their officers. This tended to colour London’s
frustrated attitude to the ‘Asiatic’ personality. But his observations
on the changing character of war to ‘sieges’ and ‘extended’ lines and
fortifications anticipated Trotsky’s analysis of the first world war
when he was in the Balkans. The result of future wars, London concluded,
would be "the loss of confidence in securities markets, currency
collapse, loss of farm production leading to starvation, and, waiting at
the end, revolution. And so it came to pass for the imperial houses of
Germany, Russia and Austria-Hungary", writes Hayley.
Many famous writers adapted or borrowed from London.
Writers like John dos Passos, John Steinbeck or even Jack Kerouac who
wrote the first book about drifting across America were preceded by the
tremendously exciting story by Jack London, The Road. George Orwell also
drew inspiration from People of the Abyss when writing his Down and Out
in Paris and London.
London compressed into a short 40 years many lives.
At 16 he was the ‘prince of the oyster pilots’ in San Francisco’. At 18
he marched to Washington with the unemployed in ‘Kelly’s Army’; he was a
gold prospector in the Klondike and Alaska, and a bestselling writer at
24!
Of course he had weaknesses; he was a product of his
time and the limitations of the labour movement then. But some of his
perceived weaknesses only existed in the minds of his critics and not
London himself. For instance, in the books Martin Eden and The Sea-Wolf
he is accused of being influenced by Friedrich Nietzsche and his idea of
the ‘Superman’. But as London himself pointed out, the ‘message’ in
these novels is the opposite of the critics’ assessment. He shows the
limitations of individualism and the ‘Superman’ idea. The central theme
of London’s writing was the idea of the collective power role of the
working class, shown in his War of the Classes and his socialist and
radical short stories.
He expressed wrong views, at one stage, about the
‘superiority’ of the white man. However, as Hayley’s book indicates,
London modified these views as a result of his experiences in sailing
the South Seas, and particularly during his period in Hawaii. We cannot
excuse his weaknesses but this should not allow us to overlook his
enormous positive strengths and contribution, something which Hayley
does not fully do. London always signed his letters "yours for the
revolution". At one time when he was speaking at a meeting the legendary
Mother Jones strolled to the front of the hall and kissed him on both
cheeks. This was the measure of the affection of the US labour movement
for Jack London.
Just before his death, he broke with the American
Socialist Party whose leaders had become increasingly right wing and
were supporting the first world war. This plunged him into despair and
there were suggestions then and today that this led him to take his own
life. He died just one year before the Russian revolution, which
undoubtedly would have found him on the side of the workers of Russia
and the world in the great events of 1917 and what followed.
The fact that Jack London emerged in the period that
he did was not at all accidental. In the nineteenth century there was an
expansion of the US through internal colonisation, grabbing the land of
the Native Americans. This acted as a safety valve to direct the
potential for rebellion and energetic layers westwards. This was
completed at the end of the nineteenth century. Powerful movements of
the working class then developed, of which London was an important part.
Eugene Debs in the election of 1912 received one million votes standing
on what would be seen today as a revolutionary programme. The equivalent
figure in a US election today would be nearly eight million votes for a
socialist!
Debs and London symbolised the reawakening of the US
working class. Later developments cut across this radicalisation: the
first world war, the tumultuous events of the 1930s and the long boom
resulting from the second world war and its aftermath. These later
tended to soften class relations. Therefore London was better known more
for his powerful stories than his socialist message. That will now
change as the colossal class polarisation develops in the US as a
consequence of an economic and social crisis, with similarities to the
capitalism of London’s day.
Even reading this book, flawed though it is in some
respects, should encourage many to explore Jack London’s life and his
writings. Read London in the original and wonder at the achievements of
this giant of the US and the world labour movement who produced more
than 200 short stories, 400 non-fiction pieces and 20 novels in the
space of 18 years. Even the ‘bad’ or ‘not so good’ novels and short
stories are interesting. His best work is simply a scintillating read.